Monday, December 29, 2008

TTMYL: 2008's Best Albums/EP's/Etc...


Things That Make You Learn: 2008's Best Albums/EP's/Etc...

2008 has been an interesting year. In three days, that "has" will be "was." But for now, I'm still living this year. School has been very interesting, life has been interesting. It's been made of many positives and some negatives. Music has been the same way. A very week year, in my opinion. But anyways, here's what I've enjoyed these past 12 months or so. Happy New Year.

The 20 Best Records of 2008


1. Koufax- Strugglers
2. Forgive Durden- Razia's Shadow
3. Bridges and Tunnels- East/West
4. Ra Ra Riot- The Rhumb Line
5. Deerhunter- Microcastle
6. Beach House- Devotion
7. Atlas Sound- Let The Blind Lead Those Who Can See But Cannot Feel
8. City and Colour- Bring Me Your Love
9. Nada Surf- Lucky
10. Obi Best- Capades
11. Born Ruffians - Red, Yellow, Blue
12. Shearwater- Rook
13. Fleet Foxes- Fleet Foxes
14. The Years Gone By- Forever Comes Too Soon
15. Bridges and Powerlines- Ghost Types
16. Brightwood- Wake
17. Deerhunter- Microcastle

18. The Walkmen- You & Me

19. This Town Needs Guns- Animals

20. Annuals- Such Fun


Honorable Mentions:


Tigers Jaw- Tigers Jaw

Good Old War- Only Way To Be Alone

Earlimart- Hymn and Her

The Uglysuit-The Uglysuit

Hit The Lights- Skip School, Start Fights

High Places- High Places

Vivian Girls- Vivian Girls

Sparks The Rescue- Eyes To The Sun

Cale Parks- Sparklace

Socratic- Spread The Rumors

Edison Glass- Time Is Fiction


The Best Pop-Punk EP’s of 2008


The Wonder Years- Won’t Be Pathetic Forever

You, Me, and Everyone We Know- So Young, So Insane

The Crosstown Rivalry- Pull Down The Sky

This Condition- We Don’t Have To Be Alone

Agent- Awake In Their World

Brighten - Early Love

Alaska and Me- I Will Dye In The West

Man Overboard- Hung Up On Nothing


The Best EP's (In General) of 2008


Kevin Devine- I Could Be With Anyone

Library Voices- Hunting Ghosts & Other Collected Shorts

Maps & Atlases- You And Me On The Mountain

Inkwell- Flosum

Matt Pond PA- FREEEP

Chris Bathgate – Wait, Skeleton

Look Mexico- Gasp Asp


2009 Next Big Things:


Peasant

Tigers Jaw

The Crosstown Rivalry

Silk Flowers

The Downtown Fiction

Alaska and Me

Wednesday, December 24, 2008

Who's gonna be 2009's "Bon Iver?": Peasant


I remember it well. Bon Iver. Yes Justin Vernon. Listening to For Emma, Forever Ago made everyone realizes music can be great, even at it's easiest. Vernon doesn't play music that's going to blow you away with its technicality, but with it's simplicity. You know when you can listen to anything whenever? Probably Bon Iver. With all this hype, it's safe to say 2008 was filled with enough Bon Iver hype.

Now the question is: Who will be 2009's "Bon Iver?" Let me introduce to you, Peasant. I've been keeping an eye on this guy for about a year now. Saw him play in PA one time, I was impressed. But he didn't have any releases. Though I hate how he likes the Phillies, you can't deny how beautiful this mans voice is. Just like Bon Iver, music at its simplest sounds so good. Damien Derose releases On The Ground next month. With me saying he's going to be the new Vernon, I'm saying how FEFA was originally released in 2007. Sorta like how On The Ground is. On The Ground is my favorite album of this year. Passing Koufax and Atlas Sound. Yes.

Daytrotter recently did a session with him. Listen to get a preview of what you're getting. You shouldn't pass this up.

Merry Christmas.

Peasant on Daytrotter

Tuesday, December 23, 2008

Dr. Manhattan on Daytrotter


Daytrotter...mmm. I wrote to Sean one time and asked to write for them. However, my style wasn't what they were looking for. I'm over it. My favorite website on the Internet, by far. His corny words and terrible paragraphs turn me on. Vagrant Records Dr. Manhattan have performed a session with them. Trust me, there are better bands on Daytrotter than them, but the session captures the weirdness of this band. Rumor has it they do insane amounts of drugs. Fact. Rumor has it they dress in drag during live performances. Fact. Rumor has it they did a great Session. Fact.

Dr. Manhattan on Daytrotter


Sunday, December 21, 2008

David Bazan: Sweet Briar College Feb 17th 2007

There used to be a time where all I did was listen to folk music. Well, at least I thought I did. David Bazan has been one of my favorite artists ever. Through his years with Pedro the Lion and his side project Headphones, this man is genius. He can put anyone in a calm mood with his lazy, heavy voice.



Being the man himself is releasing a new disc next month (American Flags via Barsuk), I've posted my favorite live set of his. Thank you to the dude who sent me it on the Weatherbox Forums. I would have posted this earlier, but I lost the set when my iPod broke. I hope everyone enjoys it. You can PREORDER David Bazan's new record, American Flags, here.

David Bazan: Sweet Briar College Feb 17th 2007

Track list:


Download: Megaupload

Thursday, December 18, 2008

TTMYL: Top 10 Worst Albums of 2008 (4-1)


Things That Make You Learn: Top 10 Worst Albums of 2008 (4-1)

Did I build up suspense? Here you go!


4. The Mars Volta- The Bedlam In Goliath

-The band in general went on a wrecking ball in 2008. I mean, Omar released about 3004994 solo/side projects/crap albums this year. I felt the release was just too damn weird. Nothing made sense. Figures.

3. The Maine- Can't Stop Won't Stop

-When The Maine announced they had signed to Fearless Records, I was stoked. They released The Way We Talk EP in 2007, which showed a lot of potential. But 2008 is a new year. After the first song, I couldn't do anything with this record. The press photos were gross, the fans are gross, this album is gross. Please make a new record and stop releasing fan girl crap.

2. Brokencyde- Brokencyde

Didn't even listen to the album. The picture is enough to describe the album.


1. Black Kids- Partie Traumatic

-Well, well. What do I have to say about this band. The song "I'm Not Gonna Teach Your Boyfriend How To Dance" is great. If they just released one single, they probably would be the next Teen Bop sensations. But, they aren't teens and they aren't bop. The mispelling of "Party" really pissed me off. Pitchfork's review was great. The album just went no where. I still listen to that one song. I usually pretend I'm playing it in front of my school in a talent show. Oh well.

Wednesday, December 17, 2008

a personal blog post: what the hell is going on?

I'm going to pull away from music today. Though, I'll probably wind up blending something musical into this post. Life has been very weird lately. It's just been a huge blur. For one, I think I'm going deaf. I've been told I listen to the T.V. way to loud. Oh well. Another problem: School. It's been a hard junior year. Well, sorta. I didn't make honor roll..which pissed me off due to me having all grades above an 80%. Today, I forgot to stay after for Physics extra help. I really need that. Math...man I can't stand my teacher. The class is 40 minutes long, of just the class going crazy/screaming. I'm part to blame, just not a lot.

Loveless like usual. Not talking about the My Bloody Valentine album. I'm just loveless. Nothing is seeming to work out right now. Let me turn back to about a month ago, and change things up just a tad bit. I'm a silly boy. I take things too personal and I think too much. I try to repair, yet I just damage. Who knows what's going to happen. It just gives me a headache. So if you do read this, let me know what I should do.

To the music portion: I've been listening to a lot of Owen lately. Mostly (the ep) and self titled. It's just been really chilling and relaxing. Some other rec's: Beach House-Devotion. One of the best records this month. The duet is just gorgeous. The Walkmen and Born Ruffins. Their Daytrotter sessions are lovely. I'll be posting the rest of my worst albums tomorrow (Thursday). The albums of the year/songs will be up by Christmas. Hopefully, you'll give them a chance as well.

Some other personal note: I'm looking to write for a new site. I've sent some samples to Tiny Mix Tapes. No response. I've been talking to Wonka Vision Magazine. I'm totally stoked to see what can come up of this.

Until then, cheers.
-K

Sunday, December 14, 2008

This Condition- We Don’t Have To Be Alone [EP]


This Condition- We Don’t Have To Be Alone [EP]
Release: November 21, 2008
Unsigned


Lalalalalala. Long Island doesn’t really produce music anymore. And if this land mass does put out music, it usually sucks. It’s either terrible hardcore acts or some TBS cover band. So lets say it’s been a while since there’s been a band worth the hype. I could stop my review here, but I’ll keep going. The area hasn’t put out “pop-rock” music ever. Not even “pop-punk.” But it seems times have changed...

While Long Island isn’t the new Maryland, the area is starting to get some good bands to blossom. One of those bands is This Condition. One could say this band was generic at one point. They have opened for all indie label acts on the Island. Trust me, I’ve seen them a lot. They released an EP last year; I wouldn’t call it great, but it showed that they had potential. Nearing the end of 2008, This Condition released We Don’t Have To Be Alone, a five song EP highlighting the potential of this band.

This Condition delivers the listener, “The Timing” right away. This radio-begging track showcases the prancing vocals of Nate Cyphert, where his pipes bring resemblance to Bryce Avery of The Rocket Summer. The duo of Crypher and Steve Keyes can make any listener remember the chorus, “We Don’t Have To Be Alone/I’m gonna set the record straight/ I’m a kid on the interstate.” From this upbeat fashion, This Condition slows it down with “Red Letter.” This track seems to be a favorite of most listeners. Cyphert’s addition of acoustic guitar and his falsetto’s, has the listener thinking. You could even get lost in the music.

I’m not gonna ruin the EP for the listener. So I’m going to jump to the last track, “Barefoot (Steve’s Song).” This track gives the listener a feel of how comfortable This Condition is with their sound. While it might not be unique, they know how to make it polished. Think of This Providence before they signed to Fueled By Ramen, the sound we all loved. This Condition portrays this sound. They even end the EP with a little sing along at the end.

While I could beg you to listen to this, I won’t. I’ll tell you that if you don’t listen to This Condition soon, they won’t be alone. They should be signed to a label. We Don’t Have To Be Alone is polished pop-rock. It’s not overdone by anything cheesy - it’s straight up. Predicting 2009: This Condition should be the next hype band all over the internet. We Don’t Have To Be Alone is a hit.

Artist: This Condition
Album: We Don’t Have To Be Alone EP
Label: Unsigned
Location: Long Island, New York
RIYL: This Providence, The Rocket Summer, The Maine
Reviewed By: Kyle Schnitzer

TTMYL: Top 10 Worst Albums of 2008 (10-5)


Things That Make You Learn: Top 10 Worst Albums of 2008 (10-5)

Not gonna lie, this year has been a music drought. Mostly made out of really bad music. Here's a list of my Top 10 Worst Albums of 2008. Please argue if you think otherwise.



10. Anthony Green- Avalon

-I was a huge fan of this guy. Then it seemed that every scene kid latched onto his life. His live performances sucks, just like this album. The only track worth listening to is the "I've Been Dying To Reach You" version with Good Old War.

9. The Dodos- Visiter

-Some bands get too much press. Example: The Dodos. Not gonna lie, I'm a fan of the band. But, this release, did not live up to the hype. Found it boring after track 2.


8. Joan of Arc- Boo Human

-Originally, I was pretty impressed with this release. I'm a fan boy of the whole Kinsella family. However, it gets bad when I hum a song thinking they wrote it, when it's a completely different band. I'm very disappointed with this release, but still love this family. Oh yeah, Mike release new music already.


7. Manchester Orchestra- Let My Pride Be What's Left Behind

-Someone recently told me I don't like "semi-popular music." I wouldn't call Manchester Orechestra "semi-popular," but that's what she meant. This EP was a total tease. Honestly, seven dollars for a 12 minute DVD? And two new songs? Come on. The artwork is on my wall though. Probably one of my favorite artworks this year.


6. The Hold Steady- Stay Positive

-Enough said.

5. Gang Gang Dance- Saint Dymphna

- Probably one of the most genric bands of 2008. I mean, if they came out like two years ago..I would like them more. But this release doesn't stand up to MGMT or El Guincho. Sirus plays this on channel 26 a lot. It gets annoying.

Check back later this week for my 4-1 list!!

A Merry Linden Christmas



I love this time of year. No lies. Love the cold weather, love physical labor. However, I don't love the cookies being baked in my house, the frustrations between me and relatives, and me having no money whatsoever. My friend is in a band called Linden. They just released an EP, appropriately titled "A Merry Linden Christmas." It's four songs, all acoustic. The female vocals between Kara and Casi Carlson is gorgeous. So yeah, go download the EP. It's free!

A Merry Linden Christmas

Track List:

1. My Angel (Acoustic)
2. Over and Over (Acoustic)
3. Redefine (Acoustic)
4. What Child Is This (Acoustic Cover)

Thursday, December 11, 2008

Things That Make You Learn- Christmas EP #2


Things That Make You Learn- Christmas EP #2

Track list:

1. Socratic- A Christmas Coal Carol

2. The Bigger Lights- Happy Holidaze

3. The Brightlife- Meet Me Under The Mistletoe

4. Brightwood- Oh Come Oh Come Emmanuel

Download: Mediafire

Thursday, December 4, 2008

Things That Make You Learn- Christmas EP #1

Things That Make You Learn- Christmas EP #1

Track list:

1. The Hoodies- All I Want For Christmas

2. The Years Gone By- Christmas Eve

3. Asteria- Have Yourself A Lonely Little Christmas

4. A Day At The Fair- Here Lies Our Holidays

5. The Summer Set- Love By Our Side

Download: Mediafire

Saturday, November 29, 2008

It's amazing how one song can ruin a band

I've decided to focus on Fountains of Wayne. What an awesome band they were. I mean, they made such soothing tunes, but have always been tarnished since their single "Stacy's Mom." I absolutely hate this song. However, I love the music video. Anyways, listen to Fountains of Wayne. One of their songs is on an L.L. Bean commercial for the holidays.

Thursday, November 27, 2008

Rosie Thomas

Before I say anything more, Happy Thanksgiving everyone. Today, I ate many meals including: Turkey and other foods. Tomorrow will start "Christmas Season." You know some radio stations will have non-stop Christmas Tunes and what not. I purchased my first Christmas record of the season a few weeks back. Rosie Thomas released "A Very Rosie Christmas." There's a review I'm working on that is almost finished. So please, so listen to her.


Saturday, November 22, 2008

Review: You, Me, and Everyone We Know - So Young, So Insane [EP]

You, Me, and Everyone We Know- So Young, So Insane [EP]
Label: Unsigned
Release: November 18, 2008

This wasn’t going to be a secret forever. Maryland’s You, Me, and Everyone We Know made their punch through the America’s stereos, with their re-release earlier in 2008, Party For The Grown and Sexy. While this brought huge publicity to the band, it also may have labeled them. That label would be a “Say Anything cover band.” While many bands would find this attractive, I felt that they didn’t sound anything close to the California natives. The band announced they would be recording a new EP later this year. With some touring here and there, the EP looked doubtful. However, I was wrong.

So Young, So Insane is this promised EP. When first listening to previous recordings, I was wondering if YMEWK would pull away from the Say Anything influence. However, during the first song, ,b>, the band decides maybe this Say Anything talk isn’t that bad. When this demo was released earlier, it lacked a lot of production. The vocals seemed very pale also. These are both filled, when Say Anything’s vocalist Max Bemis makes an appearance. The combination of Bemis and YMEWK vocalist Ben Liebsch really send chills through your spine. However, this Say Anything feel is put on hold throughout the rest of the EP. “A Symptom” showcases the unique writing of the band. The song has a jazzy feel, and is a moving song. This is the story for the rest of the EP.

“Colorful Language” is a sound that You, Me, and Everyone We Know should follow to become a bigger, different sounding band. In this song, it features powerful guitar beats, and at the right time pounding bass drum. Even keyboardist Rico Vigil makes an appearance adding some catchy sounds. This song just has a different feel to it, from previously released YMEWK songs. Finally, the boys recorded a studio version of “Happy Birthday.” This song has been played live over the past year. With the addition of creepy hums, mixed with smooth vocals from Liebsch, this is an instant favorite of mine. The chorus of this song is what really gets this song rolling. When Liebsch belts out “She’s staying up, she’s working hard for the money tonight,” it automatically paints a picture in your mind. This is how you want to end an EP.

While You, Me, and Everyone We Know got rid of most of the Say Anything sounds, the only thing that gets on my nerves is how similar some songs are to other songs. Some songs consist in the same key signature, or sound like previously released work. Another negative is why can’t this be a full length. One would most definitely enjoy this more if it was longer. With all that said, You, Me, and Everyone We Know have to just keep producing their own sound. So Young, So Insane has clarified their unique sound, straying away from the PATD/Say Anything references. You, Me, and Everyone We Know have something to be proud off. This EP solidifies their claim for being the best band to come out of Maryland pop scene ...ever.

Artist: You Me and Everyone We Know
Album: So Young, So Insane
Release Date: November 18th, 2008
Label: Unsigned
Purchase: Smartpunk.com
Reviewed By: Kyle Schnitzer

Score: 8.1

Review: Sparks The Rescue - Eyes To The Sun


Sparks The Rescue- Eyes To The Sun
Label: Double Blind
Release: October 11, 2008


Sparks The Rescue
, a Maine five-piece, might have just found their breakthrough in the rock scene. Their new release, Eyes To The Sun, is the bands full length record. Instead of following the typical band (releasing previously released songs on a new record), Sparks The Rescue decided to give the listener a whole new taste. In with the new, out with the old, the band picks up from their previous release The Secrets We Can’t Keep, but they continue to carry their unique pop-rock sound. Let me introduce to you Eyes To The Sun.

Vocalist might be the most unique part of this outfit. Not only does he know how to pound lyrics into your head, but his voice is something else. Not to keep the spotlight on Roy, but his unique voice has you listening in “I Swear That She's The One.” Throughout this song, the blending of Roy’s vocals with the guitar riffs make the listener automatically tap his/hers foot. The guitar work was most notably heard in the next song, “Autumn.” Originally, I couldn’t come up with a band that sounded similar to Sparks, but throughout this song I kept getting a Midtown image. Bassist Ben Briggs pushes the band from slow riffs, to the chorus where the tempo changes.

Unlike most bands, Sparks The Rescue don’t follow the same key/tempo throughout the record. This is why most pop-rock record become boring to listen to because they have no last power. On Eyes To The Sun, not one song sounds like the next. One could listen to “Hello Mexico,” and could feel the California waves. “The Gravity” demonstrates the illustration Roy is trying to make. He symbolizes a couple as “gravity” and “satellites.” This is a positive point of the record.

However, I haven’t even discussed my favorite song off the record. Nothing compares to “Skeleton”, the combination of Alex Roy and contributing vocalists harmonizing the chorus, this makes the you think about what good rock should sound like. Guitarists Pat O’Connell and Toby McAllister go on a rapid guitar battle. Both guitarists don’t play the same note throughout the song, hell there’s even a guitar solo in this song. Another positive Sparks The Rescue brings is how they blend many different sounds to make one calm sound. Some bands try to hard to mix surrounding genres into one, but they ultimately fail. Sparks The Rescue have mastered this art.

Eyes To The Sun is either going to be loved by you or be hated. Fans of Sparks The Rescue previous release will love it. For new listeners, I suggest listening with an open mind. Instead of thinking of a pop-punk band, think of an experimental band, with pop hooks. However, if you don’t give this a chance, you should be ashamed of yourself.

Artist: Sparks The Rescue
Album: Eyes To The Sun
Release Date: October 7th, 2008
Label: Unsigned
Reviewed By: Kyle Schnitzer

Score: 7.8

Little Hyped Album: The Walkmen


2008 has gone by pretty fast. I remember pretty much everything I've done (most of everything). Some albums didn't receive the right amount of press and they should have. This album deserves some press.

The Walkmen- You & Me

Really Good Daytrotter Sessions

Tuesday, November 11, 2008

F-U-N



When The Format announced that they were going on an "indefinite hiatus," as any other fan I was bummed. Summer came around, I put on Dog Problems. Dog Problems is one of my favorite summer albums. Nate Ruess is a tremendous vocalist. When I heard about this new project "Fun," I was intrigued. Rumors of Jack Antonoff of Steel Train being apart of the band made this a lot more interesting. Plus the addition of Andrew Dost (Anathallo), I knew that this project was going to be more musically crafter. They released a previous Format demo entitled "Benson Hedges." Now, they are on tour with Jack's Mannequin. They have been playing new songs, TF covers, and a really groovy cover "Come On Eileen (Dexy's Midnight Runners cover)." Take a listen below.

Fun- Benson Hedges (Demo) [MP3]
Fun- Come On Eileen (Live Dexy's Midnight Runners cover) [MP3]

Friday, November 7, 2008

NeverShoutNever..evereverevereverever

Internet sensation Christopher Drew will be on Long Island tomorrow night. Looks like I will be attending. It's been a while since I've seen one kid take the whole music world by storm. I'm probably not going to stay for Hellogoodbye, but I'm looking forward to seeing Ace Enders again. I saw Ace last year with Kevin Devine, Steel Train, and Socratic. He's so smooth with everything he does. Oh well. This should be fun.

Wednesday, November 5, 2008

What A Wonderful World...hopefully



Well well well. We now have our 44th president of the United States of America. His name isn't John McCain. Though I support McCain, congrats to President Barack Obama. Hopefully, we can all use some of this "Change." After watching your speech from Chicago last night numerous times, you have me watching/interested. With all the shoutings of "YES WE CAN!" or the camo's of Oprah, you have huge support. I'm blessed to be apart of history, though it's going to be interesting what this man can do for our country.

Anyways, Punchline has put out their cover of "What A Wonderful World." It's a short, poppy cover in support of President Obama's victory. Any Punchline fan could use this, no matter your political views.

Punchline- What A Wonderful World [MP3]

Tuesday, November 4, 2008

Review: A Loss For Words- Webster Lake [EP]



A Loss for Words - Webster Lake
Record Label: None
Release Date: June 11, 2008


"How did we get so damn far by ignoring everything? You we're the sand beneath my feet, eroded by the tide. It's too hard to believe." - Wrightsville Beach

Here in my town, we have this local bowling alley. It's not great. It's actually really gross and is run under terrible management. The crowds are usually ska kids, who smoke weed and get with the same friends. Thank god I didn't take that approach to life. Occasionally, we get a couple decent bands playing. Running from Valencia and Just Surrender to The Wonder Years and Living With Lions. Every year, a band from Boston, MA comes down and jams. They are A Loss For Words. [READ MORE HERE]

Sunday, November 2, 2008

Introducing...Man Overboard [11/2/08]



I'm going to start to try to introduce more bands. More genres, more sounds. For this week, we all have that little "pop-punk" fetish. I'm not talking about All Time Low and that crap. I'm talking about old school Saves The Day. This weeks "Indroducing..." segment is Man Overboard.


It's no secret, these guys know what they are doing. Featuring ex-members of The Front Page and Bangarang, Man Overboard is well done pop-punk. They have an insanely impressive EP, "Hung Up On Nothing" and everyone should pick it up. Expect to see them on this blog later this month with something cool.

Man Overboard on Myspace
Buy the "Hung Up On Nothing" EP

Saturday, November 1, 2008

Vivian Girls: some hipster stuff

I've took my time away from Pitchfork. I just don't want to hear about bands who do this and do that. However, they tend to portray really good Brooklyn, NY bands. Over a year ago, I heard this trio of females called the Vivian Girls. It wasn't anything "omgggggggggwodkjipow", but it was solid.


Thursday, October 30, 2008

Review: This Providence- The Bright Lights [EP]


This Providence- The Bright Lights [EP]
Released: 10/14/08
Label: Fueled By Raman

This Providence is one of the brightest acts in music today. I remember them back in late 2004, when I heard their first release Our Worlds Divorce. The debut showed so much promise; giving This Providence such a distinct sound. Vocalist Daniel Young has such lazy vocals, which makes it awesome. The area at the time was the, “hot spot”, with the premieres of such bands as Gatsby’s American Dream and Forgive Durden. Their next release was some what a letdown, yet I really enjoyed it. Some of the old sounds changed, which weren’t for the better.

It’s been around two years since This Providence released anything. Earlier in 2008, they announced that they were going to record a new EP. Well, here’s the EP, called The Bright Lights EP. “Waste Myself” is the opening track to this EP. If this is any indication of This Providence’s new sound, I’m totally stoked. It brings back good TP, yet still blends new TP. Dan Young’s vocals continues to be the lazy, soft voice we’ve come to love. He can still send chills down your spine. This track leads into the striped down version of “My Beautiful Rescue.” Quite frankly, I wasn’t a huge fan when this song debuted in 2006, but this version brings different light to the song. It’s a mellow blend of western guitars and pounding snares. Skipping a track, we arrive to the end, “Sand In Your Shoes (Acoustic)” Again, this song highlights the pipes of Young and them western guitars. Truly a positive of This Providence.

While this EP is short, it’s sweet. The tone of the EP is such a positive sound. Now, for us This Providence, we can look as this EP as an appetizer. For one, I can’t wait for dinner. Let’s see if their next full length, can bring this much foot tapping as The Bright Lights EP has.

Score: 7.6

Wednesday, October 29, 2008

Review: Forgive Durden - Razia's Shadow: A Musical



Forgive Durden
- Razia's Shadow: A Musical
Label: Fueled By Raman
Release: 10/28/08

"This is the beginning and the end. The rise and the fall."

- The Narrator

In music recently, albums have been made to tell a story, generally referred to as a "concept album." Normally, there's going to be some sketchy plot lines mixed with unnecessary songs. (Well, I've never heard of the idea of a musical). Recently, Forgive Durden (aka: Thomas Dutton) announced their new album would be a musical. Dutton proclaimed the musical as "Razia's Shadow." Razia means, "contented," taken from the Arabic language.

When Thomas was asked to explain the plot line of the album, he declined the request. However, he tells the story as, "a world divided in two by the selfish actions of a powerful and egotistical, yet insecure angel. After generations of darkness, the world is eventually brought back together by love and sacrifice of a couple brave enough to fulfill their destinies." As Razia's Shadow ends, Aaron Weiss (mewithoutyou) speaks, "So this is my cue of where to leave you. Now it's your story to retell and pass on." This is my story.

Razia's Shadow begins with "Genesis." When entering the album, the listener is met with an orchestra of horns and strings, which blends into the narrations of Aaron Weiss. The combination of vocals between Thomas Dutton and Casey Crescenzo (The Dear Hunter) is astounding. Both vocalists sounds so smooth together, it makes the listener want more to hear. Explaining Ahrima leads into my favorite track, "The Missing Piece." Dutton sings peacefully, yet the message is so clear throughout the song.

On this second full length, Forgive Durden has songs containing different emotions, such as love, hate, jealousy, and evil. Max Bemis (Say Anything) contributes his pipes on "The Spider and the Lamps." He virtually brainwashes Dutton throughout the song. I can honestly say, there is no one in the music world who could have delivered so well on this track, other than Bemis. Though this isn't the best combination of vocals on the album, "The Oracle" is a song, where you don't even need to listen to the lyrics, but the soft vocals of Danny Stevens. The soft vocals can put the listener into such a soothing state, it's the best way to end the first story.

The second act of Razia's Shadow begins after "A Thousand Year, Minute-Long Intermission." Dutton plays a different character, Adakias. In this segment of the album, a slew of different characters/singers are introduced. Voices from bands such as Panic At The Disco, The Hush Sound, Gatsby's American Dream, The Matches, and many others all play different people. Also, this section of the album is moves away from the "dark side," as heard in the first section of Razia's Shadow. This part is about how love repairs everything, where Dutton changes his whole fictional life.

"The Exit" is the beginning. This piece introduces Adakia's brother Pallis, who plays a huge role in this musical. The beautiful Greta Salpeter makes her appearance on this part of the record. Her stunning vocals really paints a picture for the listener. As heard in "It's True Love," both Dutton and Salpeter hit every note hard, making the meaning of the song clear. Dutton falls in love with Salpeter; this pounds the lyrical passage of "It's True Love" in your head for days. Throughout the album, the words spoken by different performers ring in your head. It's not the catchy lyrics you're used to from Forgive Durden. They are more meaningful lyrics.

Adakias is put through rough times and meets different characters on his way to love. From the jazzy "Meet The King" to the creepy "Doctor, Doctor," each song has a different meaning. Shawn Harris is the perfect person to play the antagonist of this musical. This leads into the final piece of Razia's Shadow, "The Beginning and The End." Throughout this song, a barrage of brothers voices winds up ending this masterpiece. A huge positive of this record is the narrations. It took me a couple listens to understand the whole plot line, but the narrations from Aaron Weiss really make everything clear. His soft pipes end the album, just how they started the album.

Razia's Shadow is a masterpiece. Thomas Dutton has proven what a "musician" really is. However, at times the plot becomes bland. It becomes boring when the listener can guess what happens next. Another potential issue could be, is this album going to have any lasting value? For me, I found it hard to listen to tracks individually because it's a musical, which tells a story. If Dutton released another version of this album, it could very well get a score above a 10.0. However, let's see if Razia's Shadow can live up to the hype. The slew of artists he got to perform on the album, are some of the best in the business. This records pulls him away from all Fueled By Ramen artists. It shows so much light, which cannot be stolen.

Official Track Listing and Guest Appearances

1. Genesis" (ft. Casey Crescenzo of The Dear Hunter) (4:19)
2. "The Missing Piece" (ft. Lizzie Huffman of Man in the Blue Van) (4:46)
3. "Life Is Looking Up" (5:21)
4. "The Spider And The Lamps" (ft. Max Bemis of Say Anything) (5:10)
5. "Toba The Tura" (ft. Chris Conley of Saves the Day) (4:25)
6. "The Oracle" (ft. Danny Stevens of The Audition) (5:23)
7. "A Thousand Year, Minute-Long Intermission" (ft. Danny Stevens of The Audition) (1:02)
8. "The Exit" (ft. Brendon Urie of Panic at the Disco, Dan Young of This Providence) (5:40)
9. "It's True Love" (ft. Greta Salpeter of The Hush Sound) (5:38)
10. "Meet The King" (ft. Greta Salpeter of The Hush Sound, Nic Newsham of Gatsbys American Dream) (5:24)
11. "Holy The Sea" (ft. John Gourley of Portugal. The Man, Kris Ayana of An Angle) (6:05)
12. "Doctor Doctor" (ft. Shawn Harris of The Matches) (4:57)
13. "The End And The Beginning" (ft. Greta Salpeter of The Hush Sound, Brendon Urie of Panic at the Disco) (5:53)

Artist: Forgive Durden
Album: Razia's Shadow: A Musical
Release Date: October 28th, 2008
Label: Fueled By Ramen
Purchase: Smartpunk.com
Reviewed By: Kyle Schnitzer

Score: 9.2%

Sunday, October 26, 2008

Review: Jeremy Larson- Salvation Club



Jeremy Larson
- Salvation Club

Music nowadays is nothing like it used to be. I mean, everything sounds great. Bands come out with albums more often now, but they usually rush them. Then other bands sound too similar to other bands, which labels bands with useless genres. When a band sounds like another band, it usually brings down the stock of the band they are being compared too. However, this case is completely false with singer/song writer Jeremy Larson. Larson released his self titled debut in 2007. Later that year, I purchased the record, and immediately comparisons ranging from Copeland to This Day and Age were brought up. His self titled record delivered soft vocals, a slew of pianos, and just calming music. It became a mystery how one man could make such sounds, without a backing band. It just demonstrates true talent. Larson doesn't slack off, he takes a huge leap forward with his second record, Salvation Club.

On his second effort, Larson opens Salvation Club with "Exposition." Starting with different orchestral instruments, the song builds up into Larsen’s soft, soothing voice. Vocally, Larson gives artists such as Copeland and This Day and Age something to improve on. He continues his musicianship on "Purgatory." Comparisons ranging from Stephen Christian of Anberlin, with piano melodies that will have you humming for days. The song winds down with the mix of piano and vocals, making the listener hungry for more.

Larson does something amazing on this record: making the listener wonder how he created such beautiful music. As heard in songs such as "Where They Sleep" and "Self-Esteem", Larson creates mysterious melodies. Soft, pretty vocals, which are highlight by the writing ability of Jeremy. After these movements, JL goes into a different direction. Larson comes into the upbeat mode with "Footsteps." The combination of pounding percussion and his haunting piano work, Jeremy is hitting it hard on every track. The haunting melodies continue in "Portrait" and throughout the rest of the album. Those kind of melodies that can make you emotionally feel something, which has become rare in music. "Activist" is another song highlighting the talent of Larson. The banging of piano keys send chills down your spine, which leads to the ultimate chill buster in "Goodnight."

What Larson does is something different. He blends so many different emotions into one album. Generally, artists try to stick with one overall emotion, making the album a bore fest. Jeremy Larson doesn't do that. Larson's haunting vocals and incredible musical talent will inspire others to create music. I wouldn't be surprised to see him on a movie soundtrack soon. He's released two wonderful records; Salvation Club shouldn't be overlooked.

Overall: 8.7%

Introducing...Jeremy Larson [10/26/08]

So I skipped a week? Psh. I'm coming back with something good. Though I'm not sure if he's a "secret," he's been on my playlist for over a year. Singer/Songwriter Jeremy Larson, hailing from Springfield, Missouri; is creating very, calming tunes. Creating comparisons by critics with bands such as Copeland, This Day and Age; JL has something in store for you.

Larson is releasing his second effort, Salvation Club. I've had this album for about two weeks now. It's honestly one of my favorite records this year. Not only is it great sounds, but he chose to release it in a dull market season, clearly making him the best record of Fall. Get ready for long walks, cold winds, and even some snow. Larson has something beautiful here. Review coming soon.

Jeremy Larson on Myspace

Jeremy Larson- Wintersong [MP3]
Jeremy Larson- Immovable [MP3]

Wooopsssssss, lack of content?

Yeah mang!! Sorry about no updates lately. I've been busy with school, life, and reviewing. I'll be posting some stuff later today, hope you all read.

-k

Sunday, October 12, 2008

Introducing...The Narrative [10/12/08]


It's becoming very, very difficult to find a soothing, female/male vocalist combo. I mean, we've had Lydia, Straylight Run..but both bands, went into different directions, with their latest releases. Straylight Run's female vocalist, Michelle Nolan, left the band to follow her solo career. So, getting to the "introducing" segment, here are The Narrative.



So, I saw this band open for The Reign of Kindo, in early September. They took forever to set up, but it was well worth the wait. In the crowd, many familiar Long Island band faces. One of those faces included Will Noon, drummer of Straylight Run/manager of The Narrative. They pretty much sounded like Straylight Run's sister. The male/female vocal combination, brought comparisons to SR, Copeland (If there was a female), and even Stars (To a degree). So take a listen, to their debut EP "Just Say Yes." Six songs of beautiful crafted melodies.

Review: The Bigger Lights- Fiction Fever [EP]


The Bigger Lights- Fiction Fever [EP]
Doghouse Records
Release: October 7, 2008

I recently elected to take a course called Business and Sports Marketing. So far we’ve learned about different marketing techniques, important facts of marketing, and other sections of marketing. Marketing is the process of organizing and directing all the company activities which relate to determining the market demand and converting the customers. In this situation, the fans are the customers.

Product: The Bigger Lights

Advertising: Fiction Fever [EP]

How: Absolute Management Group (Nano Tissera)

So the product, The Bigger Lights, have had all the success due to the Internet. I mean, they released this demo at a local show, which got them tons of attention from the local Virginia scene. From that, MySpace's name sections have been filled with display names like this “Your Name Here [tbl.].” So how could a band so unknown, receive so much attention? Great marketing. The Bigger Lights aren’t the average band. I mean, they don’t have someone running their MySpace account, they write back to everything you say. All the members are very friendly, which enabled ties with the right people. This probably opened the eyes of Nano Tissera and Absolute Management Group (All Time Low, Friday Night Boys).

Now how do you market this band? By releasing the self produced EP, Third Act Stories, which opened the eyes of Doghouse Records. Now it’s time to show the world what TBL can deliver. Fiction Fever doesn’t really bring the same “oomph” that TAS brought. However the album shows many comparisons to other bands. During “Apocalypse!”, one could hear a Cartel feel. The comparisons filter more throughout “Goldmine Valentine.” Vocalist Topher Talley belts notes previously heard on releases from Gatsby’s American Dream to This Providence. The song also includes catchy lyrics, guitar pokes similar to The Matches, and just an overall feel of Kanye West’s “Gold Digger.”

Now can this product sell? I’m sure it will sell, but I doubt it’ll bring in new listeners. Fiction Fever includes three previously released songs (Reved and Ready, Romance In A Slow Dance, When Did We Lose Ourselves), which will only slow down the release. Also, I feel the album's track list could be organized better. I mean, at least rearrange it so the tracks are flowing and the listener isn’t fighting the sound changes. Here’s one more suggestion to Topher Talley: try to get away from the similar vocal patterns, as other bands in the scene. By this, create your own sound, don’t be that band that gets compared to every other band in the scene. To conclude, The Bigger Lights can only improve from this release.

Artist: The Bigger Lights
Album: Fiction Fever
Label: Doghouse Records
Release Date: October 7th, 2008
RIYL: Motion City Soundtrack, Hidden in Plainview, This Providence
Reviewed By: Kyle Schnitzer

Score: 7.2 (Previously posted @ The Daily Chorus)

Thursday, October 9, 2008

Review: Koufax- Strugglers


Koufax- Strugglers

"Do you understand / Why the shops in school are keeping tabs and there eyes on you? / But I wanna roll the dice / I wanna roll the dice / Leave my job and leave my wife / Tonight."

Above are lyrics from the song "Roll the Dice," off Koufax's new record Strugglers. Here, vocalist/guitarist Robert Suchan talks about a gamble with his life. I mean, "I wanna roll the dice" sounds a bit like a gambling term or trying to take a chance with something new and trying to make the best out of it. Koufax released Hard Times Are in Fashion back in 2005. The record didn't really get much hype and people just didn't seem to get the concept. So the question was: What will the next Koufax release sound like? In this case, the Midwest quintet decided to take that "gamble" and produce a completely different sound with their sixth studio release. [READ MORE]

Sunday, October 5, 2008

Introducing...Honor Bright [10/5/08]


Yeah, I'm going to do this every Sunday from now on. Due to the fact, that my sister deleted Photoshop, I must find a new program, so I can edit those Highway signs. Anyways, New York has been dead recently. By that, I mean music. Long Island is the birthplace of "emo." Lately, it's the birth place of "death." No new bands, no new music. However, upstate New York, is a different story.

Honor Bright seem to know what they are doing. Performing on MTV, this band bring a classic pop punk sound, except polished. Their second release, If This Was A Movie, is really rising in my playtime lately. I suggest buying this on iTunes; because this band won't be a secret, for much long. Including in the Upstate scene.

Everybody knows that you'd break your neck

to keep your chin up. Get ready, get inspired. This record is stunning. Cause honestly, you are my sunshine. The grey man is looking for you. He's looking for you.

Friday, October 3, 2008

Brighten Interview- 9/27/08



Staff writer Kyle Schnitzer recently got a chance to sit down with Justin Richards, vocalist/guitarist of Top Unsigned act Brighten when they stopped through Rockville Centre, NY (woot woot, hometown love!) on their tour with Danger Radio, Farewell, and Red Car Wire. The band recently released their new EP, Early Love, which you can purchase here. You can check out the interview below.

Brighten Interview- 9/27/08
The Vibe Lounge, NY (Rockville Centre)
Make Like A Leaf And Fall Tour (Featuring: Danger Radio, Farewell, Brighten, Red Care Wire)

Interviewed by: Kyle Schnitzer
Being Interviewed: Justin Richards of Brighten (Vocalist/Guitarist)


Describe your sound. I know it's a hard question to ask you, but for someone who isn't familiar with your music, what should they expect?

Justin: I would say a mix between alternative rock, a mix between Jimmy Eat World and Augustana, The Get Up Kids. Stuff like that is what we are aiming for. It would be really cool if the fans would just listen and enjoy us. Instead of talking through bands sets, just pay attention and find out.

How did the artwork for "Early Love" come about? Is there any meaning behind it?

Justin: There really isn't any meaning to the artwork of Early Love. We just wanted a summer feel for it. Like a warm feeling. On the inside of the EP, there's a girl and a guy on a bike. We wanted to bring out the side/shot of happiness and like love. Just kind of like a new found love. So the name "Early Love" pretty much has the same meaning as the artwork.

Why did you decide on the name "Early Love?"

Justin: I hope that they catch onto it. And I hope the feeling that they get from this is happiness and a positive outlook on music. Instead of writing about problems with relationships, maybe like the positive side of it like from growing from it and just moving on.

What is the song "Swing" about? Does Carolina have a meaning behind it (AKA girl)?

Justin: (Laughs) Swing is about just kind of like.. I don't know. It's about.. I don't want to say but a good example would be stupid, but a stripper. You're doing something that you know is wrong, but you feel like you have to do it. Like really there's more to life than this. Happiness is what you should be doing, doing what you, is what makes you happy. Instead of doing something to make you feel like you're doing something with your life. So, instead of doing something just to scarp by, just doing something to make you happy I guess.

Now is there really a "Carolina?" Like is it fictional character or non-fictional?

Justin: That's fictional. It was kind of like a, the song was originally supposed to be about North Carolina and South Carolina about how they were splitting up. But, I made it into California is too far away from Carolina, when they still want to work together. Even though they don't work together, they should, they still want to be friends. So the song is kind of like a relationship story.

When Jimmy left the band, thoughts of a split was what I was hearing out of the Brighten camp. How has the band managed the loss of Jimmy. Would you consider the band stronger than it was?

Justin: It was tough because he's my brother and I obviously love him. He wanted to go to school and he didn't know if touring was the thing he wanted to do for the rest of his life because he's the oldest one. It took him a long time to realize that he didn't want to tour. It's kind of like we have a new guitar player and since now it's a four piece, we can defiantly work off of each other. So with the loss of him, we defiantly gained a couple other things that defiantly helped. But, I wouldn't say we're stronger without him. It's just different and we have to get use to it. But, I think it's working out.

That's Austin we're talking about? His band is really, really good!

Justin: Yeah, Austin Gibbs & The States. They're awesome. I want more music [Laughs]

Are there any B-sides to Early Love?

Justin: Well, we were going to put, it was going to be five songs, but then we had "Swing" or six songs. Then we had "Swing" and another song called "Windy Heart." We decided not to put "Windy Heart" on it, and to remix "Swing." With "Windy Heart," we might try to put it on iTunes just for like a B-side or something.

If you could give advice to bands about signing a record contract, what would that be?

Justin: Yeah, you never know what you're going to get cause every band when they get signed, are super excited. But, a lot of times, not too many times, but sometimes it's really easy for it not to work out. So, if it doesn't work out, it's not the end of the world. If you want to do it, keep doing it because if you work hard, it'll pay off in the end. Also, it's not the end of the world if one record label doesn't work out. You know, you grow from it, and people will defiantly see those changes.

Are you guys looking at any new labels now? Or just taking your time with the decision?

Justin: Uhm, we kind of just got the new people in the band, so we're kind of waiting for everyone to get comfortable with each other. Then, hopefully we'll build an "on-line" buzz and maybe something will come from that. So, our main focus is trying to gain fans right now.

Do you think it's a good thing so many bands are sharing a similar sound? I know there's a band out there called Bastian who have a similar sound.

Justin: Ah, Bastian are some cool guys and great sound. I think it is good for bands to share a similar sound because the music like genres are always growing and I kind of think that they all blend together. Now, there's a couple bands that stick out; but, it's so hard to make your own genre these days. If you listen to the band, it's easy to pick some of the sound. It's always cool because with everything sounding the same, it's always making something new. I think it's the way of going to the beat.

As artists do you try to separate yourself from that or try to stay similar with your own spin/flavor added on?

Justin: I try to because it's tough for me, because a lot of the music that is popular these days, I cannot stand. So, it's like tough because I still want to have the art and the writing side behind it, while still trying to get the fans side of it. And it's tough for people, who don't think about partying and hooking up with girls and not to get far. But, you just have to write what you love and if it show's what your music is, then kids are going to like it no matter what it's about.

How different is it to play a show here (New York) to a local show back in California?

Justin: It is. It's so weird because California has so many bands and I think a lot of kids from California are in love with the shows. But the music scene is so big. California is a lot of fun, like when kids come out, they are really, really cool. But, it's hard to get a crowd out there. For some reason, kids on the East Coast are so interested in meeting the bands and actually having relationships with the band. So, it's defiantly cool to come over here and play to people who actually know who you are.

What bands have you been listening to lately?

Justin: I listen to a lot of things that aren't like us. I listen to a lot of Sigur Ros, which their new album is awesome. I've also just started listening to this new artist named Missy Higgins. She is really, really good. I'll always like Augustana and Copeland and stuff like that. I've heard Copeland's new record, and it's really good.

So what would you call your top five albums of 2008?

Justin: Can't Love, Can't Hurt? I think that's the name of the new Augustana record. Uhm, let's see. Of this year, I really do like the new Maine record Can't Stop Won't Stop. It's weird because people don't really like the record, but because they are our friends and I love anything that they do. That, the new Morning Light album. They're coming out; that's like another thing, they love like the writing and music type. They are really good at everything they do. Well, the new Coldplay Viva La Vida for sure, probably the new Death Cab record.. Let's see one more? Maybe John Mayer? Continuum is so good.

A while back, I saw you had a solo page.. including acoustic versions of songs as well as covers. Could we possibly seeing a future solo record from you?

Justin: I really want to put out a record. I'm planning in December, when we have some time off, I have a friend in Chico who records and I really want to do a solo thing. Like, I've always really wanted to, but I've never had the time. So, yeah I'm planning on it.

The Lydia cover of This Is Twice Now is really, really good!

Justin: Thank you. My dad bought a ukulele and I started playing on it and I learned Lydia and came up with that. Thanks you.

Who has been your biggest supports?

Justin: My family for sure. Even with everything, money troubles and even bringing our cds to work and showing their friends, sticking up for us when their friends doubt us and be like they're not doing anything with their lives. All of our families, friends, and our fans are our biggest supporters. All the fans out there because for some reason, when we had a little over a year without putting out new music, we still got the same amount of plays as we did when we put out new music. So our fans, are real important.

With that said, what band would you say really got Brighten out there? I remember watching an acoustic video of you playing acoustic at a Cute Is What We Aim For gig.

Justin: Man, I don't know. I kind of just took us out on our first tour when we kind have just a couple week tour before that. That was defiantly our first big tours, which also helped out a lot. We drew fans from that. Hawthorne Heights has always believed in us. Just like all of our friends bands who are bigger with more fans defiantly helped us out. Bands like The Maine are defiantly helping us out. It's just really cool because you're trying to build a family with all of our friends. I mean, if we can't help them out, we will because they will help us out as well. We have a big group of family and it'll be hard just to pick one.

Have you ever thought about just giving up with music and moving on?

Justin: I couldn't. I thought about it, if I physically could, but I've put too much of my life into this. Like from the 5th grade on, I just gave up on school. Like, I went to it, but I didn't really try too hard, because I knew I always really wanted to do this. So, if I'm not in a touring band, I'm definitely going to be doing something else.

Where would you like to see Brighten within a year or two?

Justin: I would still like to be touring and with a record out. I would like to see a bigger fan base. We are always trying to talk to kids and trying to get up on ourselves, push ourselves. So, I would like to see us drawing kids more, yet still drawing fans on tour.

Last question, I'm one of the only males in this venue right now. Are you guys totally down to playing in front of a more than average female crowd?

Justin: I am. The thing I always say is I love this fan base. But, I would love to play to all ages. It's crazy because these kids are like the show goers. All the bands that I listen to, are what grown ups listen to. If I could get the interest of both age groups, that would be awesome. I love the kids. There the coolest kids that we always make friends with. But, yeah; I'm really happy with them.

I would personally like to thank Justin and the rest of Brighten for putting out an awesome record in Early Love. Be sure to buy the physical copy, or even the digital copy on iTunes.

Norah Jones?! Oh! You mean Emma Lee?


Female singer/songwriters are a rare sighting. I mean, you have all the mainstream artists, like Miley Cyrus and Fergie, but they do not compose their own music. Anyways, I''ve been on an internet binge, where I wanted to find the next big thing. Soft voices would be nice, as well as cute faces. I've seem to come across what I've been looking for. Forget Norah Jones...her name is Emma Lee.

She recently released "Never Just A Dream," which is creeping into my top six records of 2008. I'll be writing a review later this month on this gorgeous voice/person. Be sure to look out. I wouldn't be surprised to see her debuting somewhere in the America's soon. (By The Way, She's Canadian!)

Myspace



Tuesday, September 30, 2008

and I stole your soal, Because you said I’d never be able


Has this ever occurred to anyone? When something is over "hyped," and the listener tends to shy away from the release? I mean, the release is going to be good, but it's not that good. Total opposite happened when I heard Lydia's "Illuminate." I found the record incredible hard to get into. Slow, moving music. The only song I could really get into was "I Woke Up Near The Sea," where vocalist Leighton Antelman showed off some amazing lyrical work.


Well, recently I've threw out my modest opinion and listened to the record. The hype issue might have been worthy. Illuminate is slowly ranking as one of my favorites of 2008. The combination of Antelman and female vocalist Mindy White is stunning. Her piano keys flourish within each others voices. The opening track "This Is Twice Now" reminds me of similar times. Remember when Copeland released Eat, Sleep, Repeat? The same feeling when I listened to that. It remind me of my favorite song "Love Affair," where Marsh is at his best. Even Aaron Marsh makes an appearance on this record on "Hospital." This record is for real.

Lyrics to "This Is Twice Now"

Baby, just ask once more
Because I saw your door wide open
But the floor is still freezing
Hailey, I was sick and I'm still quite unwell
Tell me it's you or nothing at all

I stole your soul
Because you said I’d never be able
But all the whole world is still on my string

Second time now and you’ve done this before
Drive around the back so I can’t see them
But you’re still freezing
Let me take your coat and your keys and this car
Because I’ve been unwell far too long now

I stole your soul
Because you said I’d never be able
But all the whole world is still on my string

But all the whole world is still on my string

It’s never much when I sing about you

Below, I've posted a few acoustic tracks recently performed for AbsolutePunk.net. It includes a Counting Crows cover. I've also posted a neat violin version of "This Is Twice Now," where a YouTube user did her rendition by adding her personal violin track. Listen, love, spread.

Track list:

Absolute Punk Exclusive Video

1. Holiday In Spain (Counting Crows Acoustic Cover)
2. I Woke Up Near The Sea (Acousitc)
3. Stay Awake (Acoustic)
4. This Is Twice Now (Acoustic)

Download Here

This Is Twice Now (Violin Version) [MP3]